welcome to

"ALL THE HELLS"

horror
by
Neal Romanek

www.nealromanek.com


music


Werewolves Saturday Night

Here in The Hells you hear songs:
Werewolves Saturday Night
Prophesied by whispers of claws on asphalt,
two wolves tear -
their barks like ripping books
and bone breaking stone.
They are larger than life – they bleed
and breathe smoke through long teeth.

Stretching like a black salmon
he downs her. They tangle,
a spinning mangled yang and yin
made fast with nails and fangs turning
like a hurricane. Her lipless face
fires like a gun
removing an eye. A belly opens
a paw thrust in.
They spin. . .

. . .A vise hugging a vise, silent. Her jaws
enclose his cock-eyed skull.
Steaming confounded webbed in entrails,
he kicks. She squeezes, aching for brains.
He kicks her further open.
Stiffening she snorts red,
and he sneers, suffocating,
pinned under rods of rain.

By daylight, they’re a human couple,
bald and pink and washed.
They fill the street like smashed sculpture,
steam slipping away like spirits.

Power Sander

Power Sander
You’d be amazed what a power sander can do to a human face. You’d be amazed. You don’t think you’d be amazed. You’re thinking: “Oh, man, I know you could sand away a nose and a chin and a forehead and an ear into nothing in a minute. I know, I know.” You wouldn’t be amazed. Trust me. Trust me. You’d be amazed. On this here – I don’t know how you can see it under this light but – here. This here is forty grit sandpaper. That’s rough. “Coarse” they call it. The stuff that’s smooth – two hundred grit, three hundred grit – they call that “Fine”. ”Coarse”. “Fine”. Those are the two extremes, the two types of sandpaper. That’s like black and white, or hot and cold, or night and day. Every other type of sandpaper is somewhere in between coarse and fine. You got me? You got me. This is grade six. It’s really coarse. It’s like – you know how sharks are? When a shark slides up past a person, when a shark rubs his body against you, it takes the skin off – because the shark’s skin is very coarse. Like this. See? That’s what she said. My aunt. She’s a scuba diver. My aunt is a professional scuba diver. She took movies of sharks and eels and rays and skates. Some of her film has been shown on National Geographic. On the TV show, not in the magazine. Obviously. I don’t think she does any still pictures. Maybe she does. Her husband. Her last husband – she was married close to three times – her last husband was a boat pilot. The two of them would go down on these trips to take pictures of sharks. They were down in the Keys, I think. Somewhere down there. My aunt was down there by herself. I don’t think she was down there for more than a few minutes before the sea – the water all around her – was filled with about twenty sharks. I don’t know. I’m probably lying – or, you know, making that up. But she did tell me when she told me the story that it was a lot of sharks. She was just in a small swimsuit, I guess. She didn’t have a full suit on. You don’t need one down there. If you’ve ever gone swimming down there, you know what I mean. It’s warm. So she was in just a small swimsuit. I don’t know if it was a bikini. I guess it was. She has the most gorgeous body ever. I really swear. My aunt’s really just got the most beautiful body in the world. Trust me. But she was down there taking pictures of these blue sharks. Blue sharks are the most popular species of sharks that they have down there. And one of them came at her, she said. Right at her. And she tried to swim out of the way, twist out of the way, and the shark turned at the last moment. Like the last second. Not even that. Like the last half a second. Or even less than that. And it rubbed right up against her. Right against her, right against her. Right here. It rubbed against her right here, almost on her stomach, and it scraped off all the skin. From here, down to her hip right here. And this wasn’t even the biggest one, she said. It was about a medium one – kind of an averaged-sized one. She has a scar now. It’s always white. It doesn’t tan. I was watching it and it didn’t tan the whole summer. That is how coarse the shark’s skin was. And that’s how coarse this grade six paper is on this sander. It’s just like shark skin. I’ve never felt a shark. I felt a dolphin’s head once at Marine Land. It felt just like a wet watermelon, just like they said it would. But when I rub my fingers on here, on here, on this sandpaper, I like to pretend I’m touching a shark’s skin.

III – Tar Pits

Now he was homeless. Ho hum.

Where would he live?

Nowhere? Or live like Thoreau? Live like the lilies of the field? Or…

Ho! Ho! How great and perfect was the white light bouncing off the flowers and lawns of this evergreen city! The light! And the eye-cleansing breeze!

…He wandered the park in awe, with a tuna sandwich, well-pleased with creation and unafraid.

The breeze had lofted enterprising seagulls inland from the Pacific and their wings were translucent Japanese paper transmitting the sunlight.

Gulls are carrion birds. He loved to watch them. They hopped and squalled and squawked and they devoured waste. They perched on the rims of oil barrel trashcans and dipped in and spread refuse about and they walked and they flew, and it was strange to see so many, many animals – animals, wild animals – walking around and flying around here in his busy city on his busy lunch hour.

He supposed they must be at it all day, though he only saw them during his brief break. Unless they took only one hour for lunch too. Possible?

He finished the sandwich, wiped his hands with the paper bag, and threw the bag into an oil barrel trashcan, then walked the asphalt path circumnavigating the park’s eponymous centerpiece – “The La Brea Tar Pits”.

Idiotic name. As every Angeleno will be pleased tell you. “La Brea” means “the tar”. So to say “The La Brea Tar Pits” is to say “The The Tar Tar Pits”.

The ancient smell.

The ancient petrol smell of the past – the tar. It brought to his mind notions of new roads and ways and of tanned men in filthy jeans – Mexican men – working in hours of sunshine laying boiling tar on boiling streets. Men far from home, standing on, dragging tools across, other men’s roofs.

He visited the Tar Pits with his dad when he was seven. His father had taken him to the L.A. County Museum of Art which stood hard by. He didn’t remember much about the museum, except that it seemed to be under construction – scaffolding and plastic sheeting dangling like banners and loud sounds of workers. But he remembered clearly walking past The La Brea Tar Pits. Stopping with his father and peering through the fence at something that was not a pool of water.

The place’s Master Pit is an oblong pond about a hundred meters by fifty meters that vents, at all hours, natural gas. Not far below the surface of the pond, a few feet maybe, there lurks an oozing caldera of hot tar that presses up from below the earth, pushing out into the world through a geological peristalsis. Every moment of every day for a hundred thousand years this football field swollen fat with petroleum, expels countless volumes of dreadful emissions. Plop, plop, plop – all across the surface great bubbles billow up. It is a carboniferous zit that has come to a head and continues to ooze – and to ooze.

And feverish mosquito men dip probosci into the veins and channels and underflows below and live on the riches sucked out.

He remembered seeing the Tar Pits. But more than the Tar Pits, he remembered seeing the mastodons. Who could forget seeing mastodons?

On the other side of the fence, fifty feet from where he stood back then, from where he stood right now, was a mastodon. It had the general build and hide of an Indian elephant, but the rustic lower jaw jutted far forward and the tusks were overlong, stretching, competing with the trunk.

The mastodon, an enraged grey mountain at the pond’s edge, bellowed helplessly as he watched his mate, water halfway up her back, sinking into the hidden tar. At the bull’s side stood a big-eared, big-eyed calf, little trunk worming out, mimicking its father, no sense that its mother, huffing and grunting twenty feet away, was lying in her grave.

The mother bellowed, struggling, trying to shrug the tar off as she would throw a tenacious predator. Pushing tugging and tugging and bellowing and tugging with strength enough to plucks trees out of the ground. And then with a guttural bellow, exhausted stopping to gasp like a furnace. Then – despite having torn her own muscles with the massive effort – doing the same thing again.

The Tar Pit permits movement in only one direction. Down.

The harder she tried to live, the sooner she would die. Soon the tar would begin to cup her great barrel body and the weight of it would vise her ribcage closed. Her massive diaphragm and lungs would fight valiantly – an oak defying an avalanche…and then…and then…and then…she would be suffocated long before she vanished beneath the surface. The constrictors – boa, python, anaconda – do not kill by crushing, but contain their prey in their coils and wait till the prey exhales before drawing subtly tighter. And then tighter with next exhalation, and the next, and the next, and so their prey, with no space left for air to be, suffocates. The tar pit constricts identically.

Condors circled as she died. The first to land nipped out the glassy, barely blinking eyes. Dire wolves might run the length of the pit, back and forth, barking, hunger-eager, but wise to the danger, well aware that this was not a free meal, but they remained in the area, waiting to feed on the other carrion feeders who would be lured by the mastodon’s cries.

One condor, hopped off the mastodon carcass and taking to the air caught just a bare wingtip in the tar, enough to stutter the take off, requiring an extra push off with a foot, which touched tar, the wings touched the tar too. Down he went, flapping like an idiot in the tar, doomed too.

The bull stood by all night and all the next day. Pacing and bellowing. Running off the wolves time and again. Trumpeting impotently at the dancing condors dipping into the cow’s slowly disappearing mouth, tearing pieces from her broad tongue.

Eventually, the wolves overrun him. They take down the calf first. They kill it. The father kills many wolves first, but they did kill the calf and dragged it away in pieces. The bull bleeds. He will die there by the side of the pit.

Animal eats animal eats animal. Living things eat living these. Horrible way to die. But this is how a lion’s share of creatures meet their end – murdered by a fellow beast, eaten by his fellow, chewed swallowed and digested by his fellow. Sometimes murdered beforehand. Sometimes left to die in the stomach.

He stood looking through the fence, with a few curious others, peering down at a slow motion commotion at the tar pit’s edge.

A big round black man grabbed was grabbing a healthy young girl by the waist, anchoring her.

The girl’s gloved hands were immersed in the black pool.

Periscoping from the surface was the head of a bird.

A seagull had somehow gotten stuck, badly stuck, in the tar pit.

The girl birthed the gull from the pit, pulling it, working it gently like a tooth – pulling and releasing then pulling and releasing then pulling and wrapping it in a white smock – exactly like the one she had on. She was a doctor? She was a veterinarian? She was a scientist?

After a long miserable time of it, the gull came free. It trailed a tail of black tail like blackblack paper, or syrup or licorice frosting, or like a snake with half a dozen shiny black skinny tails stretching. Its hooked, long beak was harshly stained.

The girl and man set the bird in a clean cardboard box – “Waste Management”

“Will the bird live?” he asked.

The woman pointed her hand at him and seesawed it left and right.

A small crowd of men and women and children too had gathered, peering in at the animal in the box – unwhite beaked head jutting from a kelpy black web.

The lid was shut. The box was taken away.

He chose to believe this:

The doomed gull, like its condor forefathers, had been diving down to feed upon the paralyzed fiberglass mastodon in the pit. Realizing its error at the last instant, it aborted and ditched onto what was surely only the calm surface of a pond.